I grew up and have spent time amid the coastal beauty of Rhode Island and have more recently found inspiration in the serene landscape in the foothills of Virginia’s Blue Ridge Mountains. When I’m asked about my style, I often describe it as a meeting of Renaissance refinement and the golden, liquid light that echoes from 11th-century icon panels that express a sacred geometry with its ability to fuse the spiritual with the visual through detailed symbolism and timeless beauty. Fra Angelico, Giotto, and other great masters helped shape my technique, but it is the deeper light of lights that has guided my soul.

My paintings, adorned with hand-hewn, intricately decorated frames, have been honored with exhibitions and appreciation for their Renaissance complexity and the simple, heartfelt truths they evoke. I am deeply humbled by the recognition my work has received, as each piece is both a reflection and an offering.

Studying under the great Nicaraguan artist Omar d’León was a transformative experience in my artistic journey. He was renowned for his mastery of cross-hatching techniques and his ability to blend multiple layers of color, light, and texture, brought a new depth to my work. His poetic sensibility and the fluid forms in his paintings profoundly influenced my own style, enriching the classical techniques I had absorbed in Italy. Through his mentorship, I not only evolved artistically but also gained a deeper understanding of how to convey the mystical and spiritual elements I sought in my own creations. This master’s unique approach and boundless passion for both art and poetry helped me refine my vision, bringing me closer to the essence of my work.

In every brushstroke and carved line, I strive to go beyond the bounds of religion and ideology, seeking to create art that is at once prophetic and familiar—a celebration of our oldest and most profound human and transcendent experiences.